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Human Design Academy by Ra Uru Hu
Cross of Planning (1615-2027)
G Center
G Center, But when you look at this configuration,
I want you to recognize something because this movement of retreat,
That these elements of retreat are called keys,
But there is a lock, in other words each of these keys fits the lock.
Now the key is the procession, and its own structure,
And the lock are human beings in other words,
This is the way every world cycle,
Seal directly into humanity, and global cycles on the seal to humanity,
Through people who happen to be vessels or sphinxes.
Now it's not just people who are tools and sphinxes,
This also applies to anyone who has all the gates of the G Center.
In other words, what we look at,
That we are looking at something very fascinating.
What we look at is the nature of the magnetic charm of monopoly (Magnetic Monopole).
I mean it's really something to understand about this phenomenon,
It holds us together in the illusion of our separation,
And moves us along our fractal line,
Moves us along our geometry line,
And this movement along our geometry line,
The thing that holds us together as a species,
The thing that holds us together as a whole within,
The programming of the whole,
That all this is rooted in the G-center.
When we look at the G-center,
Of course we are looking at identity.
In other words,
When we look at it in a single chart,
What we are looking at is the quality of identity in these beings.
We have role gates here,
The roles of our interaction with the world around us.
You know, we have direction gates,
We have gates where especially when you look at the Cross of the Sphinx,
Or you look at the Cross of Love (Cross of the Vessel),
These are the only rolling crosses,
As an example, operating solely from one center.
Because the G center is very special,
Because it specifically forms the eight different corners or eight different points of the wheel.
Remember when you look at the structure,
In terms of how I's Ching's hexagram works,
Because what you're looking at is the wheel that naturally breaks down first,
Into its four quarters,
And we know from the fourth quarters,
That we always go from the Sphinx Gate, which is a directional gate,
And we're going to close with one of the gates,
Of the four ways before we reach the next Sphinx gate.
The second thing is that between everyone,
In the middle of every quarter, exactly in the middle of every quarter is the gate of love vessels,
And this is one of my earliest early remarks on the nature of identity,
And again when you look at the G center,
What you're looking at is this ability,
Be able to go out and touch everything that is there,
In general and at the same time be able to see that this is the way everything is,
Starting from the whole, taken inside.
Therefore, when we look at the G center in terms of general programming,
The gates here are becoming very significant.
In other words, anyone carrying one of these lock gates,
Is part of the way the program as a whole gets to be expressed in the world.
I mean one of the things to understand about the program,
Is that you only deal with input.
You know, the program is just a huge ocean of consciousness,
But the ocean of consciousness is changed by a mass of uniqueness that filters it.
You know here that we all filter this field of consciousness,
And one of the things you get to see in design,
Every time you look at surgery,
Is that you get to see there,
That each person is truly unique in the way they communicate with the program,
And also in the way they make a contribution to the whole.
I mean damn things as an illusion.
So, you know one thing to recognize,
Is that you can not live in illusion,
Unless you contribute to it.
I mean, you know, it's not that we're out of illusion.
It's not all this shit,
On the possibility is going to be out of illusion.
It's always my joke about sticking your head in the sky.
If you stick your head in the sky,
And you leave it there,
Someone's going to kick you,
You know, because you can not live like this.
We are the illusion,
We make the illusion,
We live the illusion.
Ra Uru Hu
Ra Uru Hu
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